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I’ve been researching Sohair on the internet what did I find? Well the main thing was lots of fans quoting her on their websites as one of their most loved dancers and saying that they are envious of her amazing hip work. Sohair is an extremely well known dancer, and was very high competition for the other dancer of the time; Nagwa Fouad. Sohair Zaki was born in 1944, in Mansoura, a town in lower Egypt. Very close to where the now famous dancer Randa Kamal was born. Her family lived there until Sohair was nine and then move to Alexandria. Sohair by that time was already, like all dancers, totally in love with music. Sohair would always dance around listening to the radio, it was natural to her. Because dance is part of normal day life in Egypt, at parties, weddings, when friends coming round: her friends and neighbours had seen Sohair dance, many a time and could see she was something special. Alexandria had a good night life, being along the coast and a favourite holidaying spot for Egyptians. I know me and my family in Egypt would often go in summer. Alexandria's coasts were lined with Greek nightclubs. Sohair started working in them. I don’t know her exact age, I would say she was about 12-14 years old and probably had been offered the job, due to her being well known by locals as a good dancer. However, I do know her father was strongly against her dancing and was a big problem she had to deal with. Fortunately, for her dance career, he died quite soon after Sohair started wanting to dance.
Her family moved again, this time to Cairo. Cairo had a large night life at the time, yet not as big as in the times of Naima Akef and Samia Gamal. Sohair, in this city of opportunities for dancers, began to work her way up in the dance world. Starting off with small clubs and occasional weddings, She built a name for herself, until she was working in top hotels and clubs. Sohair stared working in TV shows that would open with a dancer. The chorographer for the shows was Ibrahim Akef, Naima Akef’s cousin. She learnt a lot from him, taking what she liked and forming her own style.
Not only had Egypt and the Arab world been hit with Sohair fever - US President Nixon, was also a fan of hers. A more important fan however was the Soviet Minister of Defence, during the 60's and 70's, Martial Andre Grotchko, who was completely besotted with Sohair. The Egyptian government took advantage of his love for Sohair, to acquire weapons from the old USSR (Union of Soviet Socialist Republics) following the defeat of 67. Sohair Zaki also received accolades and medals from the Shah of Iran, the Tunisian president, and Gamal Abdel Nasser, the second president of Egypt, all for her great achievements in dance. It saddens me today that some people in Egypt think very low of belly dance when it has done so much for the country. This was Sohair’s contribution.
Sohair Zaki was the only dancer, other than Tahia Carioca, brave enough to perform to the music of Oum Kulthoum. It is suggested that Oum Kalthoum was annoyed when she first heard that someone was dancing to her songs. She thought it was degrading and therefore asked the famous composer Muhammad Abdul Wahab to go and find out about this dancer. Wahab like most, was instantly infatuated by Sohair's sex appeal and amazing dance. He reported back to Oum Kulthoum and said there was nothing to worry about. He told Oum Kulthoum that "As you sing with your voice, she sings with her body".
The Gulf War of 1990 and 1991 brought an economic downturn and rise in Islamic fundamentalism to Egypt. Nightclub owners could no longer afford to stay open. So, Sohair Zaki. chose to mostly retire while at the height of her career. She continued to perform occasionally throughout the 1990’s. Sohair Zaki in May 2001 began to teach dancers from around the world at Raqia Hassan’s annual “Ahlan We Sahlan” festival in Cairo. Sohair Zaki was quoted on dancers from other countries: "They will never be up to the Egyptian standards, the Egyptian belly dancers' standards. They don't have the lively spirit. They don't have the sense of humour and they don't have the musical ear. They only perform steps that they learn - 1,2,3,4. But they don't have the spirit." What she doesn't realise is that spirit like hers is a hard act to follow !! "I need dance, as anyone needs air to breathe"
(Thank you to Issam who helped me with this article)
Sources: Francesca Sullivan, Making The Body Sing, Cairo Times, 2001 and www.yasser-best.blogspot.com |
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