|

These tips aren't about
how to do the moves; you'll learn those with your teacher! What these tips are for, is to give instant improvements to
your dance no matter what level you are.
 |
Posture
|
The first thing you have
to do to be a belly dancer is stand like one. You have to emit a feeling of
confidence, beauty and elegance. You cannot be a weak or feeble dancer in belly
dance.
Standing up straight
can't be that hard can it?
Your neck must be long
and straight. Be careful not to put your chin in the air as this gives off the
feeling of snobbery.
Your shoulders must be
down and back. If your body is slouched over, you're being hostile and give
a feeling of shy, depressiveness. When people watch you dance, no matter the
level you are at, they want to feel invited to watch; having your shoulders back
does this. Be careful though not to put your shoulders back too much as to push
your breasts out as this is not at all inviting for people to watch. It could
be viewed threatening by some women and cheap by others and they will not want
to watch.


 |
Confident
|
Be happy and confident with
your dance. Smile and stand tall.
Interpret the music with
your body. All of this helps towards making you look a lot more beautiful and watchable with your dance.
No one wants to see a
shy uncomfortable dancer because it makes them uncomfortable too!
Be confident with your
dance but whatever you do, don't be stuck up and snobby with you dance.
Watching a dancer who is in love with herself and not with the dance is awful.
Love yourself and your body but don't be stuck up and use the dance to show
off.
Also be confident in
class. Ask questions and clarify anything you don't know. You're
paying so demand help when struggling with a move. Many teachers unfortunately
don't care if the majority of the class are doing the move wrongly.

 |
Mirror Mirror on the wall
|
Always use a mirror
when practising a move this way you can make sure that you are doing the
moves correctly. A lot of the time people are doing the moves wrong but
don't realise. Also If you are doing the move right, you don't always
realise that you are slouching or that your arms are in the wrong place.

 |
Arms
|
Arms are a big big part
of any movement so don't forget them. make sure that they are as elegant
as the movement you are doing.

Make sure your wrists
are down and your hand is slightly up. Make sure your hand isn't too far up so
you look as though you're doing a stop sign.
Moving your arms: I find
the best thing to do when doing snaky arms is to lead with the elbow and
follow with the wrist and then the tips of the fingers.

 |
Locked Knees
|
NEVER EVER LOCK YOUR
KNEES no belly dance move requires for you to lock your knees. It's not only
bad for your legs but it takes the power of your movement away from your hips
and traps it into your knee. Your knees should always be slightly bent.
This is key to doing
a shimmy you should never lock your knees otherwise it makes it impossible.
A move that a lot of
people, even good dancers, forget to not lock their knees on is the hip drop.
When doing a hip drop your supporting leg should be slightly bent.
This improve the move, making it more snappy and energetic.

 |
To choreograph or not to choreograph?
|
By all means choreograph
your dances, but don't over choreograph them so that there is no freedom in the
dance, and that every movement is planed down to a tee. Let the choreography
have a bit of flexibility. Belly dance is an expression dance, so leaving
slight flexibility in your choreography allows you to express your feelings
at that particular instant.
If you are going to
choreograph so that every movement is counted, or if you have to because it's a
group dance then learn it REALLY REALLY well so it is second nature.
There is nothing worse than seeing people dance like robots. There is also
nothing worse than watching people dance without a smile because they
are concentrating on counting the moves out, or trying to remember what move is
next. For people watching it is torturous because they feel the
worry of the person and they start to worry and hope that the dancer they
are watching remembers the next movement.

 |
Props too fast?
|
Don't use props (stick, veil, malaya lefe) too soon. Unfortunately too many
dancers use props too soon to cover up or compensate for their mediocre,
uninteresting dancing. Props should be only used by advanced dancers. I
don't use props. I'm still trying to master my dance. If you're
not confident enough to dance without a prop then you probably shouldn't be
dancing with one.
Don't think that dancing with a prop is that important, and don't put too much
emphasis on it. The best belly dancers in history didn't use props that often or
if they did it was only part of a show and was done very, very well. It isn't the
basis of their performance. Why? because their dance is so good it doesn't need
the frills of a prop to promote it. If they do use a prop it is more of an
extension of their dance. Some dancers like
Sohair Zaki never used props.

The Biggest Tip:
Enjoy your dance and Smile
It's just the best to watch someone enjoying their dance, no matter their level.

|